So, this week instead of hitting our regular thrift stores on Saturday morning, we made our way to Flatbed Press. There we saw Debbie Little Wilson. She's a printer friend of ours and she's fabulous in so many ways. And I'm in love with her chickens. We saw a couple of demonstrations and saw some incredible printing. I even got to make a print of a frog.
Today, we went to a demonstration put on by none other than the same Mary Fischer. She prints, but on clay, which is what the whole Print Fired exhibit is about. She has traveled to Hungary and learned a method of printing from a photograph onto clay, which was the theme of her demonstration today, assisted by the fabulous Debbie Little Wilson.
I have had printers explain to me how they do what they do and they always get to a point at which what they're saying translates in my mind to "Something magic happens" because I just can't get it. I listen, and I understand and then they cross a line and my puzzled mind stops. It just can't. This weekend, though, I was able to get it. I have an uncomfortable, sneaky suspicion that I witnessed a different process than that which has always eluded me. The part that puzzles me is when they explain that oil and water don't mix. I know this, but that doesn't explain how you take a flat surface and put oil and water onto it, then place it onto a piece of paper and come out with a beautiful print with neither oil stains or watermarks. But, I am proud to say that I understand solarplates and how to print with them. I haven't done it, but I've witnessed it and I understood. At no point did my poor little mind look bewildered and have to insert "something magic happens" into the part that it couldn't grasp.